{"title":"Books","description":"","products":[{"product_id":"1752501451-fa86e425","title":"James Prosek Grasslands: Painting the American Prairie","description":"Author James Prosek, Contributions by Andrew J. Walker and Andrew Graybill and Spencer Wigmore and Margaret Adler and Matt White\u003cbr\u003eRenowned naturalist and artist James Prosek applies his extensive field research and artistry to share the natural abundance of America’s sweeping prairies.\u003cbr\u003e\u003cbr\u003eIn 2021, Prosek traveled to the Texas Hill Country to understand the region’s threatened prairie habitats, thus embarking on a project to explore the complex realities of contemporary American grasslands.\u003cbr\u003eProsek’s art is influenced by his science-based, firsthand fieldwork, with his handwritten notes often lining the margins. The book features his richly detailed watercolors and silhouettes of animals, plants, and habitats that reinforce the importance of the prairies as their own complete ecosystems, as well as the boundaries that define them in the present day—from fencerows to distinguishing native prairies from ones with invasive grasses.\u003cbr\u003e\u003cbr\u003eThe same scientific curiosity, detailed artistry, and passionate attention Prosek brought to raising the awareness of species of trout are now acutely focused on the rich, intricate diversity of our native grasses.\u003cbr\u003e\u003cbr\u003eAbout The Author\u003cbr\u003e\u003cbr\u003eJames Prosek is an artist, writer, and naturalist. Called “the Audubon of the fishing world” by the New York Times, he has published more than a dozen books and exhibited his art globally. Andrew J. Walker is the executive director of the Amon Carter Museum of American Art. Spencer Wigmore is the former associate curator, and Margaret (Maggie) Adler is the current curator of paintings, sculpture, and works on paper at the museum. Andrew Graybill is a professor of history at Southern Methodist University, the director of the William P. Clements Center for Southwest Studies, and the author of Policing the Great Plains. Matt White is a Texas writer, historian, naturalist, and the author of Prairie Time: A Blackland Portrait.","brand":"Rizzoli International","offers":[{"title":"Default Title","offer_id":50644344996137,"sku":null,"price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/4962\/5641\/files\/Untitleddesign-2026-02-14T103943.308.png?v=1771087198"},{"product_id":"1752501933-4a900ba1","title":"The Texas Post Office Murals Art for the People","description":"By Philip Parisi\u003cbr\u003eWalk into any of sixty post offices or federal buildings in the state of Texas and you may be greeted by a surprising sight: magnificent mural art on the lobby walls.\u003cbr\u003e\u003cbr\u003eIn the midst of the Great Depression, a program was born that would not only give work to artists but also create beauty and optimism for a people worn down by hardship and discouragement. This New Deal program commissioned artists to create post office murals—the people’s art—to celebrate the lives, history, hopes, and dreams of ordinary Americans. In Texas alone, artists painted ninety-seven artworks for sixty-nine post offices and federal buildings around the state. Painted by some of the best-known artists of the day, these murals sparkled with scenes of Texas history, folklore, heroes, common people, wildlife, and landscapes.\u003cbr\u003e\u003cbr\u003eMurals were created from San Antonio, Houston, and Dallas to Big Spring, Baytown, and Hamilton. The artists included Tom Lea, Jerry Bywaters, Peter Hurd, Otis Dozier, Alexandre Hogue, and Xavier Gonzalez. The images showed people at work and featured industries specific to the region, often coupled with symbols of progress such as machinery and modern transportation. Murals depicted cowboys and stampedes, folk heroes from Sam Bass to Davy Crockett, revered Indian chief Quanah Parker, and community symbols such as Eastland’s lizard mascot, Ol’ Rip.\u003cbr\u003e\u003cbr\u003eIn this beautiful volume Philip Parisi has gathered 115 photographs of these stunning and historic works of art—36 in full color. He tells the story of how they came to be, how the communities influenced and accepted them, and what efforts have been made to restore and preserve them.\u003cbr\u003e\u003cbr\u003eEnjoy this beautiful book in the comfort of your living room, or take it with you on the road as a guide to the people’s art in the Lone Star State.\u003cbr\u003e\u003cbr\u003eSoftcover\u003cbr\u003e200 pages","brand":"Texas A \u0026 M University Pr","offers":[{"title":"Default Title","offer_id":50644385005865,"sku":null,"price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/4962\/5641\/files\/fiqp4vittefsxkdzfu07.jpg?v=1752501936"},{"product_id":"1752738153-df4186a1","title":"Anila Quayyum Agha: A Beautiful Despair","description":"An Amon Carter Book Arts exclusive!\u003cbr\u003e\u003cbr\u003eEach publication is signed by the artist and numbered. With a limited edition of only 300 copies, this special publication is a must have for any art connoisseur.\u003cbr\u003e\u003cbr\u003eLimited Edition of 300 Signed Numbered","brand":"Amon Carter Museum","offers":[{"title":"Default Title","offer_id":50660401709353,"sku":"210000004757","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/4962\/5641\/files\/Untitleddesign-2025-10-17T122839.452.png?v=1760722133"},{"product_id":"1752738154-a20d74be","title":"Carter Handbook","description":"Since 1961, the Amon Carter Museum of American Art has explored the beauty, diversity, and complexity of American Art.\u003cbr\u003e\u003cbr\u003eThe nearly 300 drawings, paintings, sculptures, and watercolors in this volume are drawn from the more than 55,000 artworks housed at the Carter. Engaging texts and vibrant reproductions make the Carter Handbook an indispensable guise to an exceptional collection of American creativity.","brand":"Amon Carter Museum","offers":[{"title":"Default Title","offer_id":50660401807657,"sku":"2100000065097","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/4962\/5641\/files\/Untitleddesign-2025-11-14T163721.735.png?v=1763159863"},{"product_id":"1752738156-a9207fdd","title":"Charles M. Russell Watercolors, 1887–1926 Limited Edition","description":"\u003cp\u003eBy Dr. Rick Stewart, Essay on the artist’s technique by Jodie Utter\u003cbr\u003eFrom the leading authority on Charles M. Russell, Dr. Rick Stewart, comes a must-have book for any Russell aficionado. Charles M. Russell, Watercolors 1887–1926 is the first complete history of Russell’s watercolors and includes the only specific study of the artist’s technique and materials.\u003c\/p\u003e\n\u003cp\u003eWith a printing of only 500 Limited Edition books, secure your piece of history and order your copy today!\u003c\/p\u003e\n\u003cp\u003eHardcover\u003cbr\u003e496 pages\u003cbr\u003e492 illustrations\u003c\/p\u003e","brand":"Amon Carter Museum","offers":[{"title":"Default Title","offer_id":50660401971497,"sku":"210000001449","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/4962\/5641\/files\/Untitleddesign-2026-02-14T110637.399.png?v=1771088812"},{"product_id":"1752738162-95812b11","title":"Gabriel Dawe: Embodied Light","description":"Limited Edition of 200 Signed Numbered Hand Assembled Loose Leaf, Actual Thread\u003cbr\u003e\u003cbr\u003eAn Amon Carter exclusive!\u003cbr\u003e\u003cbr\u003eGabriel Dawe: Embodied Light is the first publication dedicated to the innovative work of Gabriel Dawe. The loose-leaf book, which documents Dawe’s Plexus no. 34 from its inception to its installation in the museum’s Atrium, includes a tipped-in reproduction of the artist’s preparatory drawing for the work and a page with the artist’s actual thread sewn into it.\u003cbr\u003e\u003cbr\u003eEach hand-assembled portfolio is signed by the artist and numbered. With a limited edition of only 200 copies, this special publication is a work of art itself.","brand":"Amon Carter Museum","offers":[{"title":"Default Title","offer_id":50660402463017,"sku":"210000000719","price":125.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/4962\/5641\/files\/gifmhsc5cpvjpmcsgand.jpg?v=1753391039"},{"product_id":"1752738163-649a7973","title":"Homer | Remington","description":"By Margaret C. Adler, Jennifer R. Henneman, Diana Jocelyn Greenwold, and Claire M. Barry with Peter G. M. Van de Moortel; With an introduction by Adam Gopnik, a prologue by Thomas Brent Smith, and a chronology by Janelle Montgomery\u003cbr\u003e\u003cbr\u003eA groundbreaking comparison of two titans of American art\u003cbr\u003e\u003cbr\u003eWinslow Homer (1836–1910) and Frederic Remington (1861–1909) represent a distinct artistic strain of the American mythos: both were celebrated in their day as homegrown, self-taught artists whose work offered a vision of American identity rooted in self-reliance, vigor, and a deep connection to the outdoors. This groundbreaking book is the first to consider the two artists together, revealing unexpected resonances between their artistic themes, careers, techniques, and lives. The publication highlights their formative years as war correspondents, their portrayals of adventure and masculinity, and their bold experimentation with different media.\u003cbr\u003e\u003cbr\u003eThese pages showcase seventy-eight illustrations, paintings, sculptures, and watercolors by Homer and Remington—a number of which rank among the great works of American art. Four essays address the surprising similarities and shared experiences between the two contemporaries, and a fifth essay on their techniques, the first of its kind, illuminates their creative practices. An extensive chronology traces the artists’ careers and lifetimes, and, finally, an introduction by critic Adam Gopnik situates them within the long, empirical tradition in American art, observing that “seeing them together, we see the shape of our own self-making and, with it, the enduring wisdom of our own self-doubt.”\u003cbr\u003e\u003cbr\u003eHardcover\u003cbr\u003e224 pages\u003cbr\u003e","brand":"Amon Carter Museum","offers":[{"title":"Default Title","offer_id":50660402528553,"sku":"210000004270","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/4962\/5641\/files\/Untitleddesign-2025-10-31T124103.748.png?v=1761932477"},{"product_id":"1752738492-9f4c088e","title":"Moving Pictures: Karl Struss and the Rise of Hollywood","description":"An in-depth look at how one of the country’s most successful photographers became one of its most important cinematographers.\u003cbr\u003e\u003cbr\u003eMoving Pictures examines the Hollywood career of Karl Struss (1886-1981), a pioneering artist of both still and moving images who reached the highest levels of success in both fields. It tells a multimedia story through photographs, films, and archival objects of how he transitioned from an acclaimed fine art photographer to a leading Hollywood cinematographer. In the 1920s, Struss transitioned to working more fully as a cinematographer, co-photographing movies such as Ben Hur: A Tale of the Christ (1925) and Sunrise: A Song of Two Humans (1927); over the course of his career, he worked with the great actors and directors of the age, including Charlie Chaplin, Mary Pickford, Mae West, D.W. Griffith, and F.W. Murnau. Struss’s technological and artistic contributions to Sunrise in particular were revolutionary, and the work is still widely considered the pinnacle of silent film achievement. Fittingly, his work on Sunrise won Struss and co-photographer Charles Rosher the first Oscar ever awarded for Best Cinematography. 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The hand-labeled prints carefully name each of the men, but the girl is never identified. As The Girl in the Middle goes in search of her, it draws readers into the entangled lives of the photographer and his subjects.\u003cbr\u003e\u003cbr\u003eMartha A. Sandweiss paints a riveting portrait of the turbulent age of Reconstruction and westward expansion. She follows Gardner from his birthplace in Scotland to the American frontier, as his dreams of a utopian future across the Atlantic fall to pieces. She recounts the lives of William S. Harney, a slave-owning Union general who earned the Lakota name “Woman Killer,” and Samuel F. Tappan, an abolitionist who led the investigation into the Sand Creek massacre. And she identifies Sophie Mousseau, the girl in Gardner’s photograph, whose life swerved in unexpected directions as American settlers pushed into Indian Country and the federal government confined Native peoples to reservations.\u003cbr\u003e\u003cbr\u003eSpinning a spellbinding historical tale from a single enigmatic image, The Girl in the Middle reveals how the American nation grappled with what kind of country it would be as it expanded westward in the aftermath of the Civil War.\u003c\/p\u003e\n\u003cp\u003eHardcover\u003c\/p\u003e\n\u003cp\u003e354 Pages\u003c\/p\u003e","brand":"Ingram Publisher Services","offers":[{"title":"Default Title","offer_id":50660432642345,"sku":"210000009426","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/4962\/5641\/files\/Untitleddesign-2026-02-08T160346.949.png?v=1770588240"},{"product_id":"1752738719-e4cd6d80","title":"Cowboy","description":"\u003cp\u003eThe Cowboy, Reconsidered: the enduring myth of the cowboy is a richer, more diverse story than most understand. In this survey, some of the most important artists working today take up the cowboy through the lens of queer, Black, Asian, and Latinx perspectives.\u003cbr\u003e\u003cbr\u003ePerhaps no other figure in the American popular imagination conjures the respect, mystery, and adoration than that of the cowboy. And it’s long been a favorite subject of artists from the early twentieth century to today. In this unique exhibition and accompanying catalogue, the cowboy is explored in depth from diverse perspectives and lived experience, ushering in a new vision for this long-standing pop icon.\u003cbr\u003e\u003cbr\u003eDirector and co-curator Nora Burnett Abrams considers the cowboy through historical perspectives, breaking down the myth and mystique. In an extended interview, co-curator Miranda Lash talks with queer Latinx artist rafa esparza who considers the vaquero (the Spanish term for cowboy) and the influence of norteño culture in his work. Jongwoo Jeremy Kim provides an in-depth analysis of artist Kenneth Tam’s practice and deeper discussion of Asian American masculinity, sexuality, and how they are represented. Myeshia Babers shares the history of the Black rodeo cowboy, and how this figure performs and functions today, and artist R. Alan Brooks conjures the history of Dearfield, Colorado, one of the earliest Black homesteading communities in the state, through a dream-like short graphic novel.\u003cbr\u003e\u003cbr\u003eArtist List: John Baldessari, R. Alan Brooks, Mel Chin, Gregg Deal, Angela Ellsworth, rafa esparza, Fabian Guerrero, Juan Fuentes, Karl Haendel, Luis Jiménez, Kahlil Joseph, Grace Kennison, Deana Lawson, Matthew J. Mahoney, Laurel Nakadate, Richard Prince, Otis Kwame Quaicoe, Akasha Rabut, Lucy Raven, Ken Taylor Reynaga, Yumi Roth in collaboration with Emmanuel David, Ana Segovia, Amy Sherald, Stephanie Syjuco, Kenneth Tam, Andy Warhol, and Nathan Young\u003cbr\u003e\u003cbr\u003eAbout The Author\u003cbr\u003eNora Burnett Abrams is the Marc G. Falcone Director of MCA Denver. Miranda Lash is the Ellen Bruss Senior Curator at MCA Denver. Jongwoo Jeremy Kim is Associate Professor of Art History and Theory at Carnegie Mellon University. Myeshia C. Babers is a Cultural Anthropologist and Director at Let's Dialogue, LLC.. R. Alan Brooks is Professor of Graphic Narrative at Regis University.\u003cbr\u003e\u003c\/p\u003e","brand":"Penguin Random House","offers":[{"title":"Default Title","offer_id":50660447584553,"sku":"210000008304","price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/4962\/5641\/files\/Untitleddesign-2025-11-22T133340.852.png?v=1763840034"},{"product_id":"1752738937-dc4c12ea","title":"The Art of Dreams, Visions, Other Worlds","description":"Robert Craig Bunch has interviewed sixty current Texas artists, focusing on painters, printmakers, sculptors, and others whose work, broadly speaking, is inspired by dreams, visions, myths, and imagined worlds. Working in the tradition of predecessors such as Bror Utter, Ben Culwell, Maudee Carron, Kelly Fearing, Jim Harter, Valton Tyler, Harry Geffert, and even more distant antecedents such as Hieronymus Bosch, Hildegard of Bingen, and the prehistoric rock artists of the Lower Pecos, these artists are united by the common theme of taking inspiration from an “inner landscape” that includes elements of the fantastic, the mystical, and the surreal.\u003cbr\u003e\u003cbr\u003eIn his introduction to the interviews, Bunch observes, “Art has many purposes. Among the most ancient and persistent have been the depiction of worlds beyond what is perceived in common—mythical pasts and imagined futures; realms supernatural, magical, and fantastic; and interior worlds of dreams, visions, hallucinations, and unfettered imagination.” Through sensitive examination of these artists and their approach to these works, he affords readers a fresh perspective on the creative process, especially its roots in the subconscious and the human fascination with dreams and altered modes of awareness.\u003cbr\u003e\u003cbr\u003eRanging from discussions of filmmaker Richard Linklater to conversations with artist and educator Floyd Newsum while also incorporating less familiar artists such as Houston’s Fariba Abedin and El Paso’s Ho Baron, this collection of interviews with working Texas artists includes a representative image, chosen by each interviewee as a representation of their work. The Art of Dreams, Visions, Other Worlds: Interviews with Texas Artists promises to expand readers’ concepts of the boundaries currently being explored by Texas artists.","brand":"Texas A\u0026M University Press","offers":[{"title":"Default Title","offer_id":50660465770793,"sku":"210000008763","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/4962\/5641\/files\/Untitleddesign-2025-11-22T133213.658.png?v=1763839950"},{"product_id":"1752739004-6c8f81ef","title":"Albert Bierstadt Witness to a Changing West","description":"\u003cp\u003e\u003cspan\u003eAs one of America’s most prominent nineteenth-century painters, Albert Bierstadt (1830–1902) is justly renowned for his majestic paintings of the western landscape. Yet Bierstadt was also a painter of history, and his figural works, replete with images of Plains Indians and the American bison, are an important part of his legacy as well. This splendid full-color volume highlights his achievements in chronicling a rapidly changing American West.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBorn in Germany, Bierstadt rose to prominence as an American artist in the late 1850s and enjoyed nearly two decades of critical success. His paintings propelled him to the forefront of the American art scene, but they also met with reproach from his peers and critics in the press who viewed his painting style as outmoded. Bierstadt’s star has both risen and fallen as modern art historians have reconsidered his complex oeuvre.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis volume takes a major step in reappraising Bierstadt’s contributions by reexamining the artist through a new lens. It shows how Bierstadt conveyed moral messages through his paintings, often to preserve the dignity of Native peoples and call attention to the tragic slaughter of the American bison. More broadly, the book reconsiders the artist’s engagement with contemporary political and social debates surrounding wildlife conservation in America, the creation and perpetuation of national parks, and the prospects for the West’s indigenous peoples. Bierstadt’s final history paintings, including his dual masterworks titled \u003c\/span\u003e\u003cem\u003eThe Last of the Buffalo\u003c\/em\u003e\u003cspan\u003e—a special focus of this volume—stand out as elegiac odes to an earlier era, giving voice to concerns about the intertwined fates of Native peoples and endangered wildlife, especially bison.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlong with its rich sampling of Bierstadt’s diverse artwork, \u003c\/span\u003e\u003cem\u003eAlbert Bierstadt: Witness to a Changing West\u003c\/em\u003e\u003cspan\u003e features informative essays by noted curators, scholars of art history, and historians of the American West.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHardcover\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e248 Pages\u003c\/span\u003e\u003c\/p\u003e","brand":"University Of Oklahoma Pr","offers":[{"title":"Default Title","offer_id":50660471111977,"sku":"210000003160","price":100.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/4962\/5641\/files\/usqxocc1zxiw4q3via53.jpg?v=1752739006"},{"product_id":"1752739006-dece61e5","title":"Charles M. Russell The Life and Legend","description":"\u003cp\u003e\u003cspan\u003eThis first comprehensive biography of Charles M. Russell examines the colorful life and times of Montana’s famed Cowboy Artist. Born to an affluent St. Louis family in 1864, young Russell read thrilling tales of the West and filled sketchbooks with imagined frontier scenes. At sixteen he left home and headed west to become a cowboy. In Montana Territory he consorted with cowpunchers, Indians, preachers, saloon keepers, and prostitutes, while celebrating the waning American frontier’s glory days in some 4,000 paintings, watercolors, drawings, and sculptures. Before his death in 1926, Russell saw the world change dramatically, and the West he loved passed into legend. By then he was revered as one of the country’s ranking Western artist with works displayed in the finest galleries, his romantic vision of the Old West forever shaping our own.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTaliaferro reveals the man behind the myth in his multifaceted complexity: extraordinarily gifted, self-effacing, charming, mischievous, and playful, a friend to rough frontier denizens and Hollywood stars alike. 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But few have followed Renner’s lead—until now.\u003cbr\u003e\u003cbr\u003eLavishly illustrated with full-color illustrations, Charles M. Russell: The Women in His Life and Art presents groundbreaking essays essential to understanding the role of western women in Russell’s art. This volume is both a tribute to the women who nurtured Russell’s artistic development and a landmark in the study of the role of women in a genre all too often identified almost exclusively with a masculine world.\u003cbr\u003e\u003cbr\u003eThe catalogue essays examine the exhibition’s theme from four unique perspectives. Joan Carpenter Troccoli provides an over­view of the works in the exhibition and the social, cultural, and personal values that influenced them. Emily Crawford Wilson explores Russell’s interest in the feminine ideal, tying it to wider artistic trends of the late nineteenth and early twentieth centuries. Jennifer Bottomly-O’looney describes Russell’s friendship with Ben and Lela Roberts, who introduced the artist to Nancy Cooper, the woman who would become his wife and indispensable business partner. Thomas A. 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By accepting color’s flexibility and emotional transcendence, Szarkowski and Eggleston transformed photography, giving the medium equal artistic stature with painting, but also initiating its demise as an independent art.\u003cbr\u003e\u003cbr\u003eThe catalogue of a major exhibition at the Amon Carter Museum of American Art, which holds one of the premier collections of American photography, Color tells, for the first time, the fascinating story of color’s integration into American fine art photography and how its acceptance revolutionized the practice of art. Tracing the development of color photography from the first color photograph in 1851 to digital photography, John Rohrbach describes photographers’ initial rejection of color, their decades-long debates over what color brings to photography, and how their gradual acceptance of color released photography from its status as a second-tier art form. 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Prolific modern-day Renaissance men, the brothers created an extensive body of landscapes; portraits of regional and national luminaries; historical studies ranging from a visual reconstruction of the Aztec capital of Tenochtitlan to subjects drawn from the French and American Revolutions; and natural history illustrations of the flora and fauna of Texas. Realist painters, they drew inspiration from past masters such as Jacques-Louis David and John James Audubon, and they corresponded and collaborated with contemporaries such as Andrew Wyeth and Ed Ruscha. The Gentling brothers’ place within the canon of twentieth-century American art is established here. 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Charles Schreiner III was largely responsible for saving the Texas longhorn from extinction by founding the Texas Longhorn Breeders Association of America in 1964. The first bull and cow registered belonged to Charlie, and he grew the association from its initial membership of thirty to having members throughout the world by the time of his death. Amazingly, he promoted the breed with not one, but two cattle drives of longhorns across modern day Texas.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eTheir subsequent marriage would last only two years, but that time would place her on the legendary Y.O. Ranch during the centennial of its founding in 1880. Since the 1950s, the ranch began to stock exotic animals for hunting and breeding purposes year-round, a practice that has since become vital to many Texas ranches’ economic survival. 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